An interview with Kotoyo Noguchi

Kotoyo Noguchi is an independent manga artist, illustrator and designer based in Japan. To date she has published two volumes of her Life with Mii: Everyday Cat Stories (Shirokuro Neko Manga) series in English for an international audience through the Kindle store. The manga depicts true stories from the author’s personal experiences taking care of a pet cat, and its heartwarming style has made it successful enough to top Amazon Japan’s list of bestselling Kindle comics.

All images copyright Kotoyo Noguchi

Anime UK News recently had the opportunity to ask the creator a few questions about her manga and the unique challenges of self-publishing for a global audience.

AUKN: When did you first start creating illustrations and manga?

When I was about fifteen years old I started drawing manga in my notepad with a pencil. Back then, I also wrote novels. At age seventeen I joined my high school’s Manga Club and began drawing manga using a pen and ink.

All images copyright Kotoyo Noguchi

AUKN: What made you first decide to publish your work in English?

It had to be in English in order to be read by people around the world. Japanese-language editions weren’t accepted back when the KDP (Kindle Direct Publishing) service launched on Amazon USA, so I’d planned to publish in English right from the start.

AUKN: UK manga fans have traditionally purchased manga in book form, usually imported from North America. However, the market is changing rapidly and digital manga is becoming much more popular which makes it possible to reach a wider audience. Are there any challenges you have encountered with publishing your work on platforms such as Amazon? Would you recommend it to other authors?

There are different fees depending on the platform. The payment methods, commission (such as delivery charges) and taxes vary from country to country. Manga in particular uses a lot of data, which means that the selling price can’t be too low when authors have to pay delivery charges. The creators don’t receive any manuscript payment or advances and have to bear all of the risks themselves. I wouldn’t recommend it to other authors, but I think that those who want to give it a try will still go ahead.

AUKN: As fans, we often want to let writers know how we feel about a story we have read. With traditional distribution it’s difficult to be sure that our feedback will ever reach the creators. If a fan wants to comment on your work, how would you prefer they contacted you? Through social media? By leaving a review on Amazon?

Of course, I’m very glad to see Amazon reviews from readers. Reviews are ideal for making recommendations to other readers, while social networking suits direct communication with authors. Any reviews or comments give the creators a lot of motivation (and occasionally, they knock the wind out of our sails too). Because authors create their books in order to make readers happy. I think that receiving both reviews and direct correspondence is a wonderful thing.

AUKN: Will you be producing more English-translated work in future for your fans around the world?

Of course. Life with Mii has a sequel in Japan due to reader demand. I’d like to publish an English version of it someday.

AUKN: Is there anything that the English-speaking fan community can do to help Japanese creators?

Japanese-speakers don’t have access to much information about services and events in the English-speaking world. So I think Japanese creators have to communicate with English-speakers in a positive manner. It’s easy to participate in online activities (like this interview) so I was keen to do it. But some publishers dislike allowing direct contact with authors. Also, many Japanese people are not good at English, which I think is the biggest issue.

AUKN: Have you discovered anything unexpected – for example, countries where your stories were more popular than you thought they would be?

I didn’t expect to be interviewed by Anime UK News.

AUKN: Your Life With Mii manga collects lots of different short stories about your experiences taking care of your cat. Are any of the stories about Mii-chan particularly close to your heart?

While I like every memory with Mii, the first time she got in my bed is unforgettable.

All images copyright Kotoyo Noguchi

AUKN: Your drawings of cats are very cute, and cat lovers will instantly recognise the way their pets behave in your work even though our countries are so far apart. Even though your manga can be enjoyed by people all over the world, there are lots of small details in the background which are distinctly Japanese, such as the stories about using a kotatsu in winter. When your manga was being adapted into English, were you worried that foreign fans might not understand any of the cultural references?

I asked my friend, who is a translator, some questions before publishing. She told me “Never mind, leave it as it is.” After publishing, I received a message from a reader in Mexico. She said “I want to buy a Kotatsu. I have become very interested in it.” I wonder whether cat lovers want to buy silver vine too? Things we’ve never seen before can be attractive. As a matter of fact, I wanted to eat Marmite when I saw it on the Internet but I couldn’t buy it in my local grocery shop so I bought Vegemite instead. Well, I think it had an interesting taste.

All images copyright Kotoyo Noguchi

All images copyright Kotoyo Noguchi

AUKN: I see that your two books have also had physical releases in English through Amazon’s CreateSpace service. Do you feel that there is still a demand for paper copies of manga, rather than reading everything electronically?

I think it’s important that readers can choose the format they prefer rather than it being my opinion. Both digital and physical publication have strengths and weaknesses. It’s good to have two options available so there’s a backup, and likewise it’s good to have many distribution channels, including book shops. However, the costs increase along with the number of middlemen. It’s a difficult route for a self-publisher. Furthermore, book shops might sell more than physical books in the future.

AUKN: The translated version of Life With Mii has also been released on the Japanese Kindle store as a language-learning aid for Japanese readers studying English. The concept of ‘tadoku’ – learning another language naturally through reading rather than traditional study – is really interesting and attractive. Have you considered adapting your manga for English-speakers who are learning Japanese as well?

Of course I’ve thought about it. Learning a foreign language takes a long time; if you’re not happy then you can’t keep going. Language is a communication tool but in Japan its main purpose is for taking tests. Since learning methods have been focusing on grammar for many years, most Japanese people can’t actually use English. For more about the effectiveness of Tadoku, please read the story of the linguist Stephen Krashen.

All images copyright Kotoyo Noguchi

AUKN: The designs on the Life With Mii merchandise are very cute (we love the “You are the boss” picture!) What made you decide to start selling merchandise based on your manga?

Thank you! I love it too. I originally created it as a LINE sticker. It’s good but I wanted to have some merchandise like T-shirts, so I thought “I’ll make what I want!” Cat lovers want to be with their favourite cat at all times, right?

All images copyright Kotoyo Noguchi

AUKN: Your DeviantArt/Instagram accounts (and the larger illustrations of Mii in the Life With Mii manga) show that you can work with a variety of art styles. Have you considered trying a more realistic style in any of your future manga? We would be interested to see it!

Yes, I will make works in a variety of styles. I have to do the design and editing, so I have several authors within me and I feel that I have to nurture them. Going back to the question, I’m currently editing some manga I drew back in my school days which is very interesting. It’s so crude that it takes my breath away, but that’s fine. Such things can’t be published commercially so that’s one of the advantages of self-publishing. I even made an animation a few years ago (the translation is still underway so it’s only in Japanese).

All images copyright Kotoyo Noguchi

AUKN: You are quite active on social media (Twitter, Facebook, Instagram etc). Do you find this is a good way to promote your work across the world?

It’s good to use the best method. Each social network has its own features so I think we have to choose the service according to the situation. For example, official information goes on Facebook, rough pictures go on Twitter, and so on.

AUKN: Aside from your own work, what are your favourite manga or anime series? Do you have any particular inspirations?

I can’t list all of the ones I like! Ah, well on the topic of gender there’s Princess Knight and Lady Oscar (The Rose of Versailles), for special powers there’s Tokimeki Tonight and Fullmetal Alchemist, for science fiction there’s Dirty Pair and Galaxy Express 999, for action with a female cast there’s Yajikita Gakuen Douchuuki, for fantasy there’s The Twelve Kingdoms, Guin Saga, Moribito; I like these kinds of things and they inspire me. With Life with Mii, I wanted to express it as a picture book like Hans Fischer’s Pitschi and Charles Monroe Schulz’s Peanuts.

AUKN: Finally – please tell us more about your work! If a future fan is reading this interview, how would you encourage them to take a look at your manga on Amazon?

Hi, Anime UK News readers, I’m Kotoyo Noguchi. Life with Mii is a manga of my life with my cat Mii. Unfortunately, Mii now lives on in Heaven. When sharing your life with a cat there are happy things and also worries about foods, training and whether your cat might be sick. Life with Mii is for people who have cats and people who have lost their cats; I drew it for all of the people who love cats. Although I can’t talk to each and every one of you, I hope this manga will snuggle up in your life.

All images copyright Kotoyo Noguchi


Life with Mii: Everyday cat stories (Volume 1)
Life with Mii: Everyday cat stories (Volume 2)
白黒猫まんが (Volume 1) [Tadoku version for Japanese people studying English]
白黒猫まんが (Volume 2) [Tadoku version for Japanese people studying English]

Kotoyo Noguchi on Facebook (English)
Kotoyo Noguchi on Facebook (Japanese)
Kotoyo Noguchi on Twitter
Kotoyo Noguchi on DeviantArt
Official Website
Official Goods Shop

All images used in this interview are copyrighted and the property of Kotoyo Noguchi. They have been reproduced with the creator’s permission.


If you enjoyed this article, please also check our interview with Mariko Hihara, a Japanese author involved in self-publishing for the English-speaking audience.

An interview with Mariko Hihara

Mariko Hihara is an experienced Japanese author who has written over fifty novels, primarily in the boys’ love/yaoi and fantasy genres, as well as scripts for several manga. She has been quick to adapt to the potential of self-publishing her work for the English-speaking market outside Japan through channels such as the Kindle Store and iBooks.

All images copyright Hihara Mariko

Anime UK News was lucky enough to be able to interview Hihara-sensei to talk about her experiences as a creator.

AUKN: When did you first start creating stories and manga?

I read the Handbook for Comics (Ishinomori Shotaro No Mangaka Nyumon) by Shotaro Ishinomori, a famous manga writer, when I was in elementary school. From then on I started creating manga.

AUKN: What made you first decide to publish your work in English?

In 2010 I read a news article on a website which said that Amazon’s self-publishing platform had launched in the US, but it was not available in Japan. So I decided to publish my books in English through Amazon.com.

AUKN: UK manga fans have traditionally purchased manga in book form, usually imported from North America. However, the market is changing rapidly and digital manga is becoming much more popular which makes it possible to reach a wider audience. Are there any challenges you have encountered with publishing your work on platforms such as Amazon? Would you recommend it to other authors?

Five years ago it was very difficult to create digital comics. But now there are many free tools to make digital books on the web, such as Amazon’s Kindle Comic Creator. So any authors can easily self-publish now.

AUKN: As fans, we often want to let writers know how we feel about a story we have read. With traditional distribution it’s difficult to be sure that our feedback will ever reach the creators. If a fan wants to comment on your work, how would you prefer they contacted you? Through social media? By leaving a review on Amazon?

We are encouraged by any kinds of feedback from our fans. But please never leave negative reviews on Amazon if possible, I beg you!

AUKN: Will you be producing more English-translated work in future for your fans around the world?

Yesss!

AUKN: Is there anything that the English-speaking fan community can do to help Japanese creators?

Help with our English translations is always appreciated. If we make any grammar mistakes, please let us know!

AUKN: Have you discovered anything unexpected – for example, countries where your stories were more popular than you thought they would be?

We have discovered that American and British fans have different tastes.

AUKN: English translations of short stories and novels are still relatively rare, even though they are steadily becoming more popular. Since you have experience of writing novels and creating manga scripts, would you be able to tell us a little about the differences between creating a story as a novel and as a manga?

When I create a novel I prefer to describe the psychology of the characters. With manga, I would emphasise the visuals and the way the characters move.

All images copyright Hihara Mariko

AUKN: You have also published some of your work in English on the iTunes store. How has the experience differed between publishing on Amazon’s Kindle and the iTunes ebook service?

Apple and Amazon have their own censorship criteria. So some of our titles were pulled from the Kindle store but not from iTunes, and vice versa.

AUKN: The UK is a popular setting for manga, with titles as diverse in theme as Kaoru Mori’s Emma and Kouta Hirano’s Hellsing basing their stories here, and the Victorian era seems especially popular. What is it about the setting that inspired you to choose it for your My Beloved Werewolf series?

I love novels set in the Victorian Age, such as the works of Dickens and George MacDonald. I also love Sherlock Holmes. So I used the Victorian era as the setting for my series.

AUKN: Do you hope that this series will be particularly popular with British readers?

Yesss!

All images copyright Hihara Mariko

AUKN: Yaoi/BL is an increasingly popular genre here in the west, with more new titles getting published every month. What do you think it is about BL stories that make them so popular across the world?

This is a very difficult question. Research on why BL is read in America has been inconclusive and it still hasn’t even been properly studied in Japan, so this is my personal opinion.

I think that obstacles fan the flames of love. In the past, there were many hindrances such as social class, wealth and so on. But there are fewer of these obstacles nowadays, so many people – especially girls who like romance – love yaoi/BL.

All images copyright Hihara Mariko

AUKN: If our readers could only buy one of your books, which would you recommend they try first?

I recommend Longing for Spring. It’s a historical romance with a Japanese noble boy and a Japanese-American set in the post-WWII period. It’s like Downton Abbey.

AUKN: Aside from your own work, what are your favourite manga or anime series? Do you have any particular inspirations?

I love Osamu Tezuka’s work. He created many manga with stories about shapeshifting such as Big X, The Vampires, Princess Knight and Rainbow Parakeet. And I love the anime series Sailor Moon. So I have been inspired by those titles.

AUKN: Finally – please tell us more about your work! If a future fan is reading this interview, how would you encourage them to take a look at your manga on Amazon?

We hope that people who love romance, fantasy and adventure will read and enjoy our manga. On top of that, we hope that manga fans will come to Japan and participate in Comic Market! There are many places that manga fans should try to visit in Japan. For example, there are museums dedicated to local creators (Ghibli Museum, Osamu Tezuka Manga Museum, Shotaro Ishinomori Memorial Museum and many more, such as those listed on this Japanese website) and also regions which manga have used as their settings.

All images copyright Hihara Mariko


Roppongi Night Clinic volume 1
Longing for Spring
Passion Under the Full Moon (My Beloved Werewolf volume 1)
Roll Over Dickens (My Beloved Werewolf volume 2)
A Boy from the East (My Beloved Werewolf volume 3)
Sunny, with occasional dogs (My Beloved Werewolf volume 4)

Mariko Hihara on Facebook
Official Website

All images used in this interview are copyrighted. They have been reproduced with the creator’s permission.


If you enjoyed this article, please also check our interview with Kotoyo Noguchi, a Japanese illustrator involved in self-publishing for the English-speaking audience.